Van der Aa Michel van der Aa

Michel van der Aa (Dutch pronunciation: [ˌmixəl vɑn dər ˈaː]; born 10 March 1970) is a Dutch composer of contemporary classical music.

Early years

Michel van der Aa was born 10 March 1970 in Oss. He trained as a recording engineer at the Royal Conservatory of The Hague, and studied composition with Diderik Wagenaar, Gilius van Bergeijk and Louis Andriessen.

Career

The music of van der Aa has been performed by ensembles and orchestras internationally. Those include the Asko/Schönberg Ensemble, Freiburger Barockorchester, Ensemble Modern, Royal Concertgebouw Orchestra, Melbourne Symphony Orchestra, De Nederlandse Opera, Mozarteum Orchestra of Salzburg, Seattle Chamber Players, Ensemble Nomad Tokyo, musikFabrik, Continuum Ensemble Toronto, SWR Orchestra Baden-Baden & Freiburg, Netherlands Radio Orchestras, Norrköping Symphony Orchestra Sweden, and the Helsinki Avanti Ensemble.

He completed a short program in film directing at the New York Film Academy in 2002. He also participated in the Lincoln Center Theater Director's Lab, a short, intensive course in stage direction in 2007.

Michel van der Aa's music theatre works, including the chamber opera One (2002), the opera After Life (2006, Amsterdam) and the music theatre work The Book of Disquiet, have received international critical and public acclaim. The innovative aspect of these operas is their use of film images and sampled soundtracks as an essential element of the score. Staging, film and music are interwoven into a collage of transparent layers, resulting in a work that is part documentary film and part philosophy.

He directed the television production of One for the Dutch national broadcasting company NPS. Passage (2004), a short film by van der Aa, has been shown at several international festivals and has been aired on Dutch national television.

He has been a featured artist at the Perth Tura New Music Festival and Holland Festival. He has collaborated with choreographers such as Kazuko Hirabayashi, Philippe Blanchard, Ben Wright and Annabelle Lopez Ochoa.

Van der Aa' s music theatre work, Blank Out, received its world premiere in March 2016, presented in Dutch National Opera's Opera Forward Festival. A 3D chamber opera for solo soprano onstage, baritone Roderick Williams on film, and Nederlands Kamerkoor and electronic soundtrack, the world premiere was performed by Miah Persson. Blank Out is a co-production of Dutch National Opera with Lucerne Festival and Teatro dell’Opera di Roma, and had performances at Beijing Music Festival, Musica Nova Helsinki, Hannover Festival, and Lucerne Festival in 2016-17.

Michel van der Aa was Composer-in-residence at the 2017 Lucerne Summer Festival. The festival programme included the Swiss premieres of The Book of Disquiet, Up-close, Hysterisis and Blank Out.

Awards

Van der Aa was recipient of the Gaudeamus International Composers Award in 1999. He also received the prestigious Matthijs Vermeulen Award for One in 2004. He received the Siemens Composers Prize in 2005. He also received the Charlotte Köhler Prize for his directing work and the interdisciplinary character of his oeuvre in the same year. He was awarded the Hindemith Prize of the Schleswig-Holstein Musik Festival in 2006.

In November 2012 it was announced that van der Aa would be the recipient of the 2013 University of Louisville Grawemeyer Award in Music Composition, for his cello concerto Up-Close, a 'highly innovative fusion of musical and visual art' written for Sol Gabetta and the Amsterdam Sinfonietta. In 2013 he won the Mauricio Kagel Music Prize.

Works

Opera and music theatre

• Vuur (2001), opera, for solo voice, actors, singers, ensemble and soundtrack
• One (2002), chamber opera, for soprano, soundtrack and film
  • libretto by the composer
• After Life (2005–06), opera, for six solo voices, ensemble, soundtrack and film
  • libretto by the composer, after Hirokazu Kore-Eda
• The Book of Disquiet (2008), music theatre, for actor, ensemble, soundtrack and film
  • libretto after Fernando Pessoa, adapted by the composer
• Sunken Garden (2011–12), opera, for three singers, ensemble, soundtrack and film 
  • libretto by David Mitchell

Orchestra

• See-Through (2000), for orchestra
• Here [to be found] (2001), for soprano, chamber orchestra and soundtrack
• Here [enclosed] (2003), for chamber orchestra and soundtrack
• Second Self (2004), for orchestra and soundtrack
• Imprint (2005), for Baroque orchestra
• Spaces of Blank (2007), song-cycle for mezzo-soprano, orchestra and soundtrack
• "Violin Concerto" (2014) for violin and orchestra

Ensemble

• Span (1996), for ensemble and soundtrack
• Between (1997), for percussion quartet and soundtrack
• Above (1999), for ensemble and soundtrack
• Attach (1999-2000), for ensemble and soundtrack
• Here [in circles] (2002), for soprano (with small cassette player) and ensemble
• Mask (2006), for ensemble and soundtrack
• Up-Close (2010), concerto for solo cello, strings ensemble/orchestra, soundtrack and film

Chamber music

• Auburn (1994), for guitar (classical or electric) and soundtrack
• Oog (1995), for cello and soundtrack
• Double (1997), for violin and piano
• Quadrivial (1997), for flute, violin, cello and prepared piano
• Solo (1997), for percussion solo
• Wake (1997), for percussion duo
• Caprce (1999), for violin solo
• Just Before (1999), for piano and soundtrack
• Memo (2003), for violin and portable cassette recorder
• Transit (2009), for piano and film
• Rekindle (2009), for flute and soundtrack
• And how are we today? (2012), for mezzo-soprano, piano and double bass
• Miles Away (2012), for mezzo-soprano, violin, piano and double bass

Dance and film

• now [in fragments] (1995), for soprano, clarinet, cello and soundtrack
  • ballet, commissioned by the Richard Alston Dance Company in collaboration with Ben Wright
• Staring at the Space (1995–96), for chamber orchestra
  • 70 minute theatre/dance work, commissioned by the Norrköping Symphony Orchestra and the Östgöta Dance Company
• Faust (1998), for ensemble and soundtrack
  • a large-scale (90 minute) dance work, commissioned by the New National Theatre Tokyo, choreographed by Kazuko Hirabayashi
• The New Math(s) (2000), for soprano, traverso, marimba, violin and soundtrack
  • Co-commissioned score with Louis Andriessen for a short film directed by Hal Hartley, for the BBC and NPS
• Solitaire (2003), for violin and soundtrack
  • ballet, commissioned by the Het Nationaal Ballet, Den Bosch

Other

• Writing to Vermeer (1999), opera by Louis Andriessen and Peter Greenaway, with the thirteen electronic music inserts (which accompany a corresponding film projection) composed by van der Aa.
• The Book of Sand (2015), digital interactive song cycle, based on Jorge Luis Borges' short story "The Book of Sand", with Kate Miller-Heidke