Overview
Introduction
The Polovtsian Dances, or Polovetsian Dances (Russian: Половецкие пляски, Polovetskie plyaski from the Russian "Polovtsy"—the name given to the Kipchaks and Cumans by the Rus' people) form an exotic scene at the end of Act II of Alexander Borodin's opera Prince Igor.
The work remained unfinished when the composer died in 1887, although he had worked on it for more than a decade. A performing version was prepared by Nikolai Rimsky-Korsakov and Alexander Glazunov, appearing in 1890. Several other versions, or "completions," of the opera have been made. The dances are performed with chorus and last between 11 and 14 minutes. They occur in Act I or Act II, depending on which version of the opera is being used. Their music is popular and sometimes given in concert as an orchestral showpiece. At such performances the choral parts are often omitted. The opera also has a "Polovtsian March," which opens Act III, and an overture at the start. When the dances are given in concert, a suite may be formed: Overture, Polovtsian Dances and March from "Prince Igor."
- Ballets Russes performances
As part of his first "Saison Russe" at the Théâtre du Châtelet in Paris, Sergei Diaghilev presented Polovtsian Scenes and Dances, consisting of Act II of Prince Igor, with full orchestra and singers. The premiere took place on 18 May 1909. The choreography was by Michel Fokine and the sets and costumes were designed by Nicholas Roerich. In later seasons, without singers, the work was given as The Polovtsian Dances. For the 1923 season, it was partly re-choreographed by Bronislava Nijinska.
