Overview
Introduction
In 1903 Scriabin composed a huge number of piano works, including five sets of preludes -- 19 in all -- the Sonata No. 4 and several other works, all totaling 13 opus numbers. By this time, the progressive side of his musical persona was in full bloom. These four preludes display Scriabin's mature style, a unique blend of Russian gloom, Impressionism (of his own variety), and otherworldly atmosphere filtered through his increasing sense of mysticism and theosophy.
The first prelude here, in D major, marked Andante, is the longest in the set, lasting around two-and-a-half minutes. It is unquestionably the most compelling piece of the four as well. The hypnotic main theme and its beguiling refrain-like phrase are ravishing in their subtle harmonies and colors. To describe the thematic workings here is impossible, but the mood is one of romance and tenderness. It should be mentioned that the composer left his wife and children to live with his mistress around the time he wrote this music.
The minute-long F sharp minor second prelude, Con stravaganza, begins powerfully in the bass with a theme that is hesitant and angry. No. 3, in E flat minor, is an anguished Presto lasting barely more than a half minute. The last prelude here is in C major and marked Lento. It is solemn and glacial in its pacing and strikes one as a depiction of serene detachment or of some mystical haze. This whole set lasts about five minutes in typical performances.
Parts/Movements
- No. 1, in D flat major/C major
- No. 2, in F sharp minor
- No. 3, in E flat major
- No. 4, in C major
