Overview
Sonata No. 4 in four parts (1957) contains elements of Satie, Shostakovich, even Rachmaninov. Its architectural clarity of form is mixed with stark contrasts.
Introduction
Sonata No. 4 in four parts (1957) contains elements of Satie, Shostakovich, even Rachmaninov. Its architectural clarity of form is mixed with stark contrasts. The first movement opens with three bell-like chords and progresses through an withdrawn, extended pp passage. The fourth movement offers stand-alone polytonal phrases and intervals whose architecture dictates its form.
Info
Artist
Update Time:2018-10-28 12:51