提要 Overview
音乐作品凝聚着炽热的爱国主义感情和浓厚的民族特色,主要作品有交响诗《芬兰颂》、七部交响曲、交响传奇曲四首(《图内拉的天鹅》)、小提琴协奏曲、交响诗《萨加》(即《冰洲古史》)、《忧郁圆舞曲》(戏剧配乐)、弦乐四重奏及为莎士比亚戏剧《暴风雨》的配乐。
音乐作品凝聚着炽热的爱国主义感情和浓厚的民族特色,主要作品有交响诗《芬兰颂》、七部交响曲、交响传奇曲四首(《图内拉的天鹅》)、小提琴协奏曲、交响诗《萨加》(即《冰洲古史》)、《忧郁圆舞曲》(戏剧配乐)、弦乐四重奏及为莎士比亚戏剧《暴风雨》的配乐;此外还作有大量的歌曲、钢琴曲等等。
Orchestral Works
交响乐 Symphonies
- Symphony No. 1 in E minor, Op. 39 (1899, r. 1900); original version lost
- Symphony No. 2 in D major, Op. 43 (1902)
- Symphony No. 3 in C major, Op. 52 (1907)
- Symphony No. 4 in A minor, Op. 63 (1911)
- Symphony No. 5 in E-flat major, Op. 82 (1915, r. 1916 and 1919); originally in four movements; second version lost*
- Symphony No. 6 in D minor, Op. 104 (1923)
- Symphony No. 7 in C major, Op. 105 (1924); in one movement
Also see:
- Kullervo, Op. 7 (1892)
- Lemminkäinen Suite, Op. 22 (1895)
Abandoned:
- Symphony No. 8, JS 190 (1924-1930s); destroyed by composer, very few sketches survive
Symphonic Poems
- En saga (A Fairy Tale), Op. 9 (1892, r. 1902)*
- Vårsång (Spring Song), Op. 16 (1894, r. 1895 and 1902); originally called Improvisation for Orchestra*
- Skogsrået (The Wood Nymph), Op. 15 (1894); also a melodrama
- Lemminkäinen Suite (also known as Four Legends from the Kalevala), Op. 22 (1895); sometimes classified as a symphony[3][4]
- Lemminkäinen ja saaren neidot (Lemminkäinen and the Maidens of the Island) (1895, r. 1897 and 1939)*
- Tuonelan joutsen (The Swan of Tuonela) (1893-1895, r. 1897 and 1900); often performed as a stand-alone concert piece; originally No. 3[5]
- Lemminkäinen Tuonelassa (Lemminkäinen in Tuonela) (1895, r. 1897 and 1939); originally No. 2[5]*
- Lemminkäinen palaa kotitienoille (Lemminkäinen's Return) (1895, r. 1897 and 1900); occasionally translated as Lemminkäinen's Homecoming*
- 芬兰颂 Finlandia, Op. 26 (1899, r. 1900); arranged from Press Celebrations Music, JS 137*
- Cassazione, Op. 6 (1904, r. 1905)*
- Dance Intermezzo, Op. 45/2 (1904, r. 1907); originally called Musik zu einer Scène*
- Pohjolan tytär (Pohjola's Daughter), Op. 49 (1906)
- Pan and Echo, Op. 53a (1906)
- Nightride and Sunrise, Op. 55 (1909)
- In memoriam, funeral march, Op. 59 (1909, r. 1910)*
- Dryadi (The Dryad), Op. 45/1 (1910)
- Barden (The Bard), Op. 64 (1913); possibly began as No. 1 in the pre-Oceanides suite[6]
- Aallottaret (The Oceanides), Op. 73 (1914, r. 1914); originally a three-movement suite (No. 1 lost); tone poem also survives in earlier "Yale" version**
- Tapiola, Op. 112 (1926)
Also see:
- Luonnotar, for soprano and orchestra, Op. 70 (1913)
Incidental Music
- Kuningas Kristian II (King Christian II), Op. 27 (1898); for a play by Adolf Paul; also a suite for orchestra, Op. 27
- Kuolema (Death), JS 113 (1903); for a play by Arvid Järnefelt; Valse triste and Scene with Cranes later arranged as Op. 44/1 and Op. 44/2
- Pelléas et Mélisande, JS 147 (1905); for a play by Maurice Maeterlinck; also a suite for orchestra, Op. 46
- Belsazars gästabud (Belshazzar's Feast), JS 48 (1906); for a play by Hjalmar Procopé; also a suite for orchestra, Op. 51
- Svanevit (Swanwhite), JS 189 (1908); for a play by August Strindberg; also a suite for orchestra, Op. 54
- Scaramouche, in two acts, Op. 71 (1913); for a tragic pantomime by Poul Knudsen
- Jokamies or Jedermann (Everyman), for soloists, chorus, and orchestra, Op. 83 (1916); text by Hugo von Hofmannsthal
- Stormen (The Tempest), for soloists, chorus, and orchestra, Op. 109 (1925); text by William Shakespeare; also two suites for orchestra, Op. 109
Derived Concert Suites
- Kuningas Kristian II (King Christian II), Op. 27 (1898); orchestral suite from the incidental music
- Nocturne
- Elegy
- Musette
- Serenade
- Ballade
- Pelléas et Mélisande, Op. 46 (1905); orchestral suite from the incidental music
- At the Castle Gate
- Mélisande
- At the Seashore
- By a Spring in the Park
- The Three Blind Sisters
- Pastorale
- Mélisande at the Spinning Wheel
- Entr'acte
- The Death of Mélisande
- Belsazars gästabud (Belshazzar's Feast), Op. 51 (1907); orchestral suite from the incidental music
- Oriental Procession
- Solitude
- Nocturne
- Khadra's Dance
- Svanevit (Swanwhite), Op. 54 (1908); orchestral suite from the incidental music
- The Peacock
- The Harp
- The Maidens with Roses
- Listen, the Robin Sings
- The Prince Alone
- Swanwhite and the Prince
- Song of Praise
- Stormen (The Tempest), Op. 109 (1927); orchestral suite No. 1 from the incidental music
- Prelude
- The Oak Tree
- Humoresque
- Caliban's Song
- The Harvesters
- Canon
- Scène
- Intrada - Berceuse
- Entr'acte - Ariel's Song
- The Storm
- Stormen (The Tempest), Op. 109 (1927); orchestral suite No. 2 from the incidental music
- Chorus of the Winds
- Intermezzo
- Dance of the Nymphs
- Prospero
- Song I
- Song II
- Miranda
- The Naiads
- Dance Episode
Soloist and Orchestra
Instrument
- Violin Concerto in D minor, Op. 47 (1904, r. 1905)*
- Two serenades, for violin and orchestra, Op. 69 (1912-1913)
- D major, Op. 69a (1912)
- G minor, Op. 69b (1913)
- Two pieces, for cello (or violin) and orchestra, Op. 77 (1914-1915)
- Laetare anima mea (Cantique), Op. 77/1 (1914)
- Ab imo pectore (Devotion), Op. 77/2 (1915)
- Six humoresques, for violin and orchestra (1917-1918)
- D minor, Op. 87/1 (1917, r. 1940)*
- D major, Op. 87/2 (1917)
- G minor, Op. 89a (1917)
- G minor, Op. 89b (1917)
- E-flat major, Op. 89c (1917)
- G minor, Op. 89d (1918)
- Suite for Violin and Orchestra in D minor, Op. 117 (1929)
- Country Scenery
- Evening in Spring
- In the Summer
Voice
- Serenad (Serenade), for baritone and orchestra, JS 168 (1894-1895); text by Erik Johan Stagnelius
- Koskenlaskijan morsiamet (The Rapids-Rider's Brides), for baritone (or mezzo-soprano) and orchestra, Op. 33 (1897); text by A. Oksanen
- Se'n har jag ej frågat mera (Since then I have Questioned No Further), for voice and orchestra, Op. 17/1 (1903); text by Johan Ludvig Runeberg
- På verandan vid havet (On a Balcony by the Sea), for voice and orchestra, Op. 38/2 (1903); text by Viktor Rydberg
- I natten (In the Night), for voice and orchestra, Op. 38/3 (1903); text by Viktor Rydberg
- Höstkväll (Autumn Evening), for voice and strings (or orchestra), Op. 38/1 (1904); text by Viktor Rydberg
- Arioso, for voice and strings, Op. 3 (1911); text by Johan Ludvig Runeberg
- Hertig Magnus (Duke Magnus), for voice and orchestra, Op. 57/6 (1912); text by Ernst Josephson
- Soluppgång (Sunrise), for voice and orchestra, Op. 37/3 (1913); text by Tor Hedberg
- Luonnotar (Spirit of Nature), for soprano and orchestra, Op. 70 (1913); also considered a symphonic poem with text from the Kalevala
- Våren flyktar hastigt (Spring is Flying), for voice and orchestra, Op. 13/4 (1913); text by Johan Ludvig Runeberg
- Demanten på marssnön (The Diamond on the March Snow), for voice and orchestra, Op. 36/6 (1917); text by Josef Julius Wecksell
- Autrefois, for two sopranos and orchestra, Op. 96b (1919, r. 1920); text by Hjalmar Procopé
- Kullervon valitus (Kullervo's Lament), for voice and orchestra; from Kullervo, Op. 7 (1957), with text from the Kalevala
- Kom nu hit, död (from Twelfth Night), for voice and orchestra, Op. 60/1 (1957) ; with text by William Shakespeare translated by C.A. Hagberg
Chorus and Orchestra
- Kullervo, for mezzo-soprano, baritone, male chorus, and orchestra, Op. 7 (1892); text from the Kalevala; sometimes classified as a symphony[7][8]
- Introduction. Allegro moderato
- Kullervo's ungdom (Kullervo's Youth). Grave
- Kullervo och hans syster (Kullervo and His Sister). Allegro vivace
- Kullervo tagar ut till strid (Kullervo Goes to War). Alla marcia - Allegro molto - Vivace - Presto
- Kullervos dod (Kullervo's Death). Andante
- Rakastava (The Lover), for tenor, male chorus, and strings, JS 160b (1894); also exists for a capella mixed chorus; text from the Kanteletar
- Cantata for the University Graduation Ceremonies of 1894, for soprano, baritone, mixed chorus, and orchestra, JS 105 (1894); text by Kasimir Lönnbohm
- Kruunajaiskantaatti (Cantata for the Coronation of Emperor Nicholas II), for mixed chorus and orchestra, JS 104 (1896); text by Paavo Cajander
- Terve nuori ruhtinas (Hail the Young Prince)
- Oikeuden varmasa turvassa (In the Sure Security of Justice)
- Laulu Lemminkäiselle (A Song for Lemminkäinen), for male chorus and orchestra, Op. 31/1 (1896); text by Yrjö Weijola
- Sandels, for male chorus and orchestra, Op. 28 (1898, r. 1915); text by Johan Ludvig Runeberg
- Athenarnes sång (Song of the Athenians), Op. 31/3 (1899), for boys'/men's voices, woodwinds, brass, percussion, and double bass; text by Viktor Rydberg
- Impromptu, for female chorus and orchestra, Op. 19 (1902, r. 1910); text by Viktor Rydberg*
- Tulen synty (The Origin of Fire), Op. 32 (1902, r. 1910); text from the Kalevala
- Har du mod? (Have You Courage?), for male chorus and orchestra, Op. 31/2 (1904, r. 1911, 1912, and 1914); text by J.J. Wecksell
- Vapautettu kuningatar (The Captive Queen), for mixed (or male) chorus and orchestra, Op. 48 (1906); text by Paavo Cajander
- March of the Finnish Jåger Battalion, for male chorus and orchestra, Op. 91a (1917); text by Heikki Nurmio
- Oma Maa (My Own Land), for mixed chorus and orchestra, Op. 92 (1918); text from the Kallio
- Scout March, for mixed chorus and orchestra, Op. 91b (1918); text by Jalmari Finne
- Jordens sång (Song of the Earth), for mixed chorus and orchestra, Op. 93 (1919); text by Jarl Hemmer
- Maan Virsi (Hymn of the Earth), for mixed chorus and orchestra, Op. 95 (1920); text by Eino Leino
- Väinön virsi (Väinö's Hymn or Väinämöinen's Song), for mixed chorus and orchestra, Op. 110 (1926); text from the Kalevala
- Koskenlaskijan morsiamet (The Rapids-Rider's Brides), for male chorus and orchestra, Op. 33 (1897, transcribed 1943); text by A. Oksanen
Lost:
- Cantata for the University Graduation Ceremonies of 1897, for soprano, baritone, mixed chorus, and orchestra, JS 106 (1897); text by A.V. Forsman
Melodrama
- Skogsrået (The Wood Nymph), for reciter, piano, horns, and strings, Op. 15 (1894); text by Viktor Rydberg
- Islossningen i Uleå älv (The Breaking of the Ice on the Oulu River), for reciter, male chorus, and orchestra, Op. 30 (1899); text by Zachris Topelius
- Snöfrid (The Beloved Beauty), for reciter, mixed chorus, and orchestra, Op. 29 (1900); text by Viktor Rydberg
- Ett ensamt skidspår (A Lonely Ski-Trail), for reciter and strings, JS 77b (1948); text by Bertel Gripenberg
Opera
- Jungfrun i tornet (The Maiden in the Tower), in one act, JS 101 (1896); libretto by Rafael Hertzberg
Abandoned:
- Veneen luominen (The Building of the Boat) (1893-1895); some material reworked into the Lemminkäinen Suite, Op. 22[9]
Other Orchestral
- Overture in E major, JS 145 (1891); initially envisioned as No. 1 in a three or four movement symphony, along with Scène de ballet, JS 163[10]
- Scène de ballet, JS 163 (1891); initially envisioned as No. 2 in a three or four movement symphony, along with Overture in E major, JS 145[10]
- Karelia, Music for a Festival and Lottery in Aid of Education in the Province of Viipuri, JS 115 (1893); reconstructed by Kalevi Aho; also by Jouni Kaipainen
- Overture (appears as the Karelia Overture, Op. 10)
- Tableau 1 A Karelian Home - News of War
- Tableau 2 The Founding of Viipuri Castle
- Tableau 3 Narimont, the Duke of Lithuania, Levying Taxes in the Province of Käkisalmi
- Intermezzo I (appears as No. 1 in the Karelia Suite, Op. 11)
- Tableau 4 Ballade: Karl Knutsson In Viipuri Castle (appears as No. 2 in the Karelia Suite, Op. 11)
- Tableau 5 Pontus De la Gardie at the Gates of Käkisalmi
- Intermezzo II Alla marcia (appears as No. 3 in Karelia Suite, Op. 11)
- Tableau 6 The Siege of Viipuri
- Tableau 7 The Reunion of Old Finland, Karelia, with the Rest of Finland
- Tableau 8 Our Land, the Finnish National Anthem (arrangement by Jean Sibelius)
- Karelia Overture, Op. 10 (1893)
- Karelia Suite, Op. 11 (1893)
- Intermezzo
- Ballade
- Alla marcia
- Impromptu in E minor, for strings (1893, r. 1894); arranged from Op. 5, No. 5 & 6
- Presto, for strings (1894); arranged from Op. 4
- Menuetto, JS 127 (1894)
- Coronation March, JS 104 (1896); arranged from the Coronation Cantata of 1896
- Musiikkia Sanomalehdistoön päivien juhlanäytäntöön (Music for the Press Celebrations Days), JS 137 (1899)
- Preludio
- Tableau 1 Väinämöinen Delights Nature with His Song (arranged in 1911 as All'overtura in Scenes historiques No. 1, Op. 25)
- Tableau 2 The Finns are Baptized
- Tableau 3 Duke Johan's Court (arranged in 1911 as Festivo in Scenes historiques No. 1, Op. 25)
- Tableau 4 The Finns in the Thirty Years' War (arranged in 1911 as Scena in Scenes historiques No. 1, Op. 25)
- Tableau 5 The Great Hostility
- Tableau 6 Finland Awakes (arranged in 1900 as Finlandia, Op. 26)
- Porilaisten marssi (March of the Pori Regiment), JS 152 (1900); arrangement
- Overture in A minor, JS 144 (1902)
- Romance in C major, for strings, Op. 42 (1904)
- Valse triste, Op. 44/1 (1904); scene arranged from Kuolema, JS 113*
- Kurkikohtaus (Scene with Cranes), Op. 44/2 (1906); scene arranged from Kuolema, JS 113
- Cortège, JS 54 (1905)
- Grevinnans konterfej (The Countess's Portrait), JS 88 (1906)
- Scènes historiques I, Op. 25 (1911); arranged from Press Celebrations Music, JS 137
- All'overtura
- Scena
- Festivo
- Canzonetta, Op. 62/a (1911); additional scene to Kuolema, JS 113; originally called Rondino der Liebenden[11]
- Valse romantique, Op. 62/b (1911); additional scene to Kuolema, JS 113; originally called Vals-intermezzo[11]
- Die Sprache der Vögel (The Language of the Birds), wedding march, JS 62 (1911); to a play by Adolf Paul
- Rakastava (The Lover), for strings and percussion, Op. 14 (1911, r. 1912)
- The Lover
- The Path of His Beloved
- Good Evening!... Farewell!
- Scènes historiques II, Op. 66 (1912)
- La Chasse
- Love Song
- At the Draw-Bridge
- Academic March, JS 155 (1919)
- Three Pieces for Orchestra, Op. 96 (1920-1922)
- Valse lyrique
- Autrefois, for two clarinets (or sopranos) and orchestra
- Valse chevaleresque
- Suite mignonne, Op. 98a, for two flutes and strings (1921)
- Petite scène
- Polka
- Epilogue
- Suite champêtre, Op. 98b, for strings (1922)
- Pièce caractéristique
- Mélodie élégiaque
- Danse
- Suite caractéristique, Op. 100, for harp and strings (1922)
- Vivo
- Lento
- Comodo
- Andante festivo, JS 34b, for strings and timpani (1922, r. 1938)
- Morceau romantique sur un motif de M. Jakob de Julin, JS 135/a (1925)
- Processional, Op. 113/6 (1938); arrangement of Musique religieuse No. 6
Lost:
- Fäktmusik (Fencing Music), JS 80 (1891)
- Zirkusmarsch (Circus March), JS 223 (1891)
Chamber/instrumental
- Vattendroppar (Raindrops), for violin and cello pizzicato, JS 216 (c.1881)
- Andante Cantabile in E-flat major, JS 30b (1887)
- Piano Trio in D major (Korpo), JS 209 (1887)
- Moderato and Allegro Appassionato for String Quartet in C-sharp minor, JS 131 (1888-1889)
- Allegro for Brass Septet, JS25 (1889)
- Andante Cantabile in G major, JS 33 (1889)
- Overture in F minor for Brass Septet, JS146 (1889)
- Sonata in F major for Violin and Piano, JS 178 (1889)
- Piano Quintet in G minor, JS159 (1890)
- Adagio in D minor, JS12 (1890)
- Andantino and Menuett for Brass Septet, JS45 (1890–91)
- Prelude for Brass Septet, JS83 (1891)
- La Pompeuse Marche d'Asis, for Violin, Cello and Piano, JS 116 (1891)
- Duo in C major for Violin and Viola (c.1891-1892)
- Rondo in D minor for Viola and Piano, JS162 (1893)
- Tiera for Brass Septet and Percussion, JS200 (1899)
- String Quartet in B flat major, Op. 4
- Voces intimae, in D minor, Op. 56, string quartet (1909)
- 4 Pieces for Violin (or Cello) and Piano, Op. 78 (Impromptu, Romance, Religioso, Rigaudon) (1915/1917)
- Theme and Variations for Solo Cello (still unpublished) (1887)
- Five pieces for violin and piano, Op. 81: Masurkka, Rondino, Valssi, Aubade, Menuetto (1915)
- Malinconia for Cello and Piano, Op. 20 (1911)
- Andante Festivo, for string quartet. Later transcribed for string orchestra and timpani (1922/1938)
- 5 Danses Champêtres, for Violin and Piano, Op. 106 (1925)
- Four pieces for violin and piano, Op. 115: Nummella, Balladi, Humoreski, Kellot (1929)
Piano
- Piano Suite (Florestan), JS 82 (1889)
- Six Impromptus, Op. 5 (1893)
- Sonata in F major, Op. 12 (1893)
- 10 Pieces, Op. 24 (1894–1903)
- 10 Bagatelles, Op. 34 (1914–16)
- 10 Pensées lyriques, Op. 40 (1912–14)
- Kyllikki, Op. 41, 3 Lyric Pieces on subjects from the Kalevala (1904)
- 10 Pieces, Op. 58 (1909)
- Three Sonatinas, Op. 67 (1912)
- No. 1 in F-sharp minor
- No. 2 in E major
- No. 3 in B-flat minor
- 2 Rondinos, Op. 68 (1912)
- 4 Lyric Pieces, Op. 74 (1914)
- 5 Pieces (The Trees), Op. 75 (1914)
- 13 Pieces, Op. 76 (1914)
- 5 Pieces, Op. 85 (1916)
- 6 Pieces, Op. 94 (1919)
- 6 Bagatelles, Op. 97 (1920)
- 8 Short Pieces, Op. 99 (1922)
- 5 Romantic Compositions, Op. 101 (1923)
- 5 Characteristic Impressions, Op. 103 (1924)
- 5 Esquisses, Op. 114 (1929)
Organ
- Preludium (1925)
- Postludium (1925)
- Intrada, Op. 111a (1925)
- Surusoitto (Funeral Music), Op. 111b (1931)
- Opening Hymn (from Masonic Ritual Music, Op. 113 (1926/1948))
- Marche funèbre (Funeral March) from Masonic Ritual Music, Op. 113 (1926/1948))
Vocal/choral
- Five Christmas Songs, Op. 1 (1895–1913)
- Seven Songs, Op. 13 (1891–92)
- Seven Songs, Op. 17, with lyrics by J. L. Runeberg, K.A. Tavaststjerna, Oscar Levertin, A.V. Forsman (Koskimies, Finnish surname), and Ilmari Calamnius (Kianto, Finnish surname) (1891–1904)
- Two Songs, Op. 35 (1907)
- Six Songs, Op. 36 (1899; dedicated to Ida Ekman)
- Five Songs, Op. 37 (1898–1904)
- Five Songs, Op. 38 (1904)
- Six Songs, Op. 50 (1906)
- Eight Songs, Op. 57 (1909)
- Two Songs from Twelfth Night, Op. 60 (1909)
- Eight Songs, Op. 61 (1910)
- Six Songs, Op. 72 (1914–15)
- Six Songs, Op. 86 (1916; ded. Ida Ekman)
- Song Cycle, Op. 88 (1917; ded. Ida Ekman)
- Six Songs, Op. 90 (1917; ded. Ida Ekman)
- other songs without opus numbers
Band
- Jääkärien marssi (The Jäger March) Op. 91a (1917)
更新时间:2015-12-15 10:31