Alexandrov Ensemble Alexandrov Ensemble

The Alexandrov Ensemble is an official army choir of the Russian armed forces. Founded during the Soviet era, the ensemble consists of a male choir, an orchestra, and a dance ensemble.

The Ensemble has entertained audiences both in Russia and throughout the world, performing a range of music including folk tunes, hymns, operatic arias and popular music. The group's repertoire has included The Volga Boatmen's Song, Katyusha, Kalinka, and Ave Maria.

It is named for its first director, Alexander Vasilyevich Alexandrov (1883–1946). Its formal name since 1998 has been Academic Ensemble of Song and Dance of the Russian Army named after A. V. Alexandrov (Russian: Академический ансамбль песни и пляски Российской Армии имени А. В. Александрова, Akademichesky ensemble pesni i plyaski Rossiyskoy Armii imeni A. V. Alexandrova), shortened to Academic Ensemble (Russian: Академический ансамбль, Akademichesky ensemble) on second reference.

The Alexandrov Ensemble and the MVD Ensemble are the only groups with the right to claim the title "Red Army Choir".

On 25 December 2016, the artistic director and 63 other members of the Ensemble were killed in the Russian Defence Ministry aircraft crash of a 1983 Tupolev Tu-154 into the Black Sea just after takeoff from the southern resort city of Sochi, Russia.

The Red Army Choir singers and dancers were en route to Syria to entertain Russian troops there for New Year celebrations.

History

Early years

Born into a peasant family, Alexander Vasilyevich Alexandrov became the first artistic director of the ensemble, choirmaster, conductor, teacher and the public figure who wrote the music to the National Anthem of the Soviet Union.^[6] He came from a musical background of hymns and folk songs, could play the viola and had perfect pitch, so he sang in the church choir and performed at festivals. He was heard singing at the village school by PA Zalivuhin, a soloist in the choir at Kazan Cathedral, St. Petersburg. Zalivuhin persuaded Alexandrov's parents to let the child go to St Petersburg to learn music. In 1898, the young peasant boy became a pupil of the Saint Petersburg Court Chapel.

There are two recorded histories of the ensemble: possibly separate elements of the same history. The first says that the initiator of the ensemble was Felix Nikolaevich Danilovich, a theatre director. The first director of the ensemble was chosen from three of Moscow's conductors: Danilin, Chesnokov and Alexandrov. Seen in isolation this would signify that A. V. Alexandrov was not the creator of the ensemble. In this version the first troupe is named as follows. Singers: Tkachenko, Zyukov, Samarin, Rozanov, Koltypin, Tolskov, Golyaev, Charov. Dancers: Maximov, Svetlov. Bayanist: Surdin.

The second version says that the ensemble was formed out of the Frunze Red Army Central House in 1928. There is also a story that Stalin then asked Alexandrov to relocate the choir to Moscow.^[6] Under the name Red Army Song Ensemble of the M. V. Frunze Red Army Central House, shortly the "Red Army Choir", twelve soldier-performers – a vocal octet, a bayan player, 2 dancers, and a reciter – officially performed for the first time on 12 October 1928 under the direction of their conductor, Alexandr Alexandrov, a young music professor at the Moscow Conservatory. The program, entitled The 22nd Krasnodar Division in Song, consisted mainly of short musical scenes of military life, including Songs of the First Cavalry Army, The Special Far-Eastern Army, and Song about Magnitostroi.

Development

In 1929, the ensemble visited the far eastern lands of the Soviet Union, entertaining the troops working on the Far Eastern Railway.^{[citation needed]}

With the goal of developing amateur art within the ranks of the army and to encourage soldiers' interest in good music, the ensemble grew to 300 performers by 1933, comprising three different forces of a male choir, an orchestra, and an ensemble of dancers. Some sources say that in 1933 there were 19 members; in 1935 there were 135 and in August 1937 in Paris and Prague they were 150. The Red Army Choir became known as a propagator of Soviet songs, performing original compositions by composers such as Vasily Solovyov-Sedoy, Anatoli Novikov, Matvey Blanter and Boris Mokrousov.^{[citation needed]}

In 1935, the choir was bestowed the Order of the Red Banner and was renamed the Red Army Red-bannered Song and Dance Ensemble of the USSR.

Having traveled widely throughout the Soviet Union, from the Arctic north to the sands of Tajikistan, the choir performed at the International Exposition dedicated to Art and Technology in Modern Life held in 1937 in Paris, France; it won the Grand Prix, the highest honor bestowed by the jury.

During World War II, the ensemble gave over 1500 performances at both Soviet fronts, entertaining troops about to go into battle, at gun emplacements, airfields, and in hospitals.

Under Boris Alexandrovich Alexandrov

Following the death of Alexander Alexandrov, the ensemble was taken over by his son, Boris Alexandrovich Alexandrov. Under his leadership, the ensemble gained fame outside the Soviet Union, making extensive tours worldwide. Boris Alexandrov retired in 1987, and was succeeded by People's Artist of Russia Igor Agafonnikov the same year,^[6] with Anatoly Maltsev as the ensemble chief. He retired as the principal conductor in 1994; he died that year and was buried in Moscow at the Novodevichy Cemetery.^[12] He was succeeded by Victor Fedorov, the chorus master since 1986.

Under B. A. Alexandrov, the ensemble was highly disciplined. Boris's party trick was to leave the stage and allow the ensemble to perform "En Route" alone. Members were positioned so that they could not all watch one orchestral leader, and this appeared to be a trick, but there was no trick at all. Leonid Kharitonov remembers:

"The Ensemble members were so disciplined and experienced that they could feel the rhythm simultaneously and could sing and play together automatically, without the conductor… In Canada during one concert Alexandrov left the Ensemble to perform alone for half an hour."

Major Vladimir Alexandrov (b. 1910; d.1978), brother of Boris Alexandrov, also composed for the ensemble. He served as Orchestral Director and Conductor.

Vladimir Gordeev was the principal conductor on the 1988 UK tour.

1948 Berlin Peace Concert

In 1948 much of Berlin was still ruined after World War II, and the city was divided into four occupation zones, controlled by the USSR, France, the UK and the United States. This was before the Berlin Wall was built, and it was still possible to travel between zones. An American officer suggested a concert in the Gendarmenmarkt (in the Soviet zone at the time), and the French zone commander supported the suggestion. The musicians were to be provided by the USSR, and the Alexandrov Ensemble was chosen. A temporary stage was set up in the square, with flowers all along the front. 30,000 people came to stand and watch for three hours. In 1994, towards the end of his life, Boris Alexandrov said:

"The visit to Germany was unforgettable. It is dominant in the history of the ensemble. It was necessary to make a new creative leap – from wartime military music to postwar relaxing harmony. It was important, and the transition had to be managed on many fronts, including getting the Ensemble back into its original pre-war role, performing the classics and singing folk songs. Before the war the Ensemble had 200 professional singers; following the war it was down to 60."

A previous tour to East Germany had been cancelled due to the sudden death of Alexander Alexandrov in 1946 in Potsdam, when in his bed was found an annotated copy of Beethoven's Symphony No. 9, showing that A. Alexandrov had been preparing the final chorus for a performance. Now Boris, his son, was ready to follow his father's plan. The 1948 peace concert was to consist of German opera extracts and Russian folk songs (Nightingales, Zemlyanka and Roads); and after an intervention by the tenor Victor Nikitin, some German folk songs were also included. The people joined in, singing Heidenröslein, and Nikitin sang Kalinka three times in a row. The concert was very successful, and very moving. A sound recording of the concert was made, and pressed in 1985 under the Radio DDR 1 label. This is listed on the Alexandrov Ensemble discography page.

However the Berlin Peace Concert did not happen in isolation. It was part of a series of punishing yearly tours to war-torn areas. The main tour season during and just after World War II appears to have run from June to October – perhaps because the large troupe usually had to perform outdoors, to accommodate large audiences. The August 1948 Berlin concert occurred two-thirds of the way through a tour to (20 June to 18 July) Prague, Most, Brno, Devin, Bratislava, Moravská Ostrava, Žilina and Kosice in Czechoslovakia; then apparently without a break (18 July to 10 October) Dresden, Weimar, Magdeburg, Stendal, Schwerin, Potsdam, Berlin, Rathenow, Leipzig, Halle, Lane, Erfurt, Chemnitz, Frankfurt an der Oder and Schwarzenberg in Germany.

In 1990, the ensemble participated in Roger Waters' The Wall concert celebrating the fall of the Berlin Wall. They performed an anti-war song, Bring the Boys Back Home.^{[citation needed]}

After 1991

In 1993, the ensemble became an item of pop culture by performing with the Finnish band Leningrad Cowboys in Helsinki, Finland where they performed on the Senate Square in front of 70,000 ecstatic listeners, and in Berlin. In the German capital, the concert of the Leningrad Cowboys with the ensemble took place on the central Lustgarten and gave the former Red Army's farewell to Berlin and the whole Germany an optimistic overtone. The Finnish concert was made into a rockumentary Total Balalaika Show by film director Aki Kaurismäki. That year they also made a CD and played a concert with French singer Jean-Jacques Goldman. The ensemble and the Leningrad Cowboys performed Sweet Home Alabama at the 1994 MTV Video Music Awards.^{[citation needed]}

Today, the ensemble is led by Honoured Artist of Russia Vyacheslav Korobko, who has been leading it since 2003.

Over the years, the ensemble has collaborated with many popular artists and producers including David Foster, Jean-Jacques Goldman and Steve Barakatt.

Until 1969, the standard uniform for the ensemble choir, soloists and orchestra was the tunic and riding breeches. On 1 January 1970, this was changed to dress uniform,^{[23][specify]} and there have been further variations to the dress uniform as used by the ensemble since 1970.^{[citation needed]}

2016 plane crash

Main article: 2016 Russian Defence Ministry Tupolev Tu-154 crash

On 25 December 2016, a Russian Defence Ministry Tupolev Tu-154 carrying 64 members of the Alexandrov Ensemble Choir went down 1.5 km (0.93 mi) off the coast of Sochi, Russia while enroute to Latakia, Syria for a Christmas celebration with the troops deployed at Khmeimim military base.^[24]

^[25] The plane crashed with no survivors.

Name

In 1949 the ensemble was officially titled the "Twice Red-bannered and Red-starred Ensemble of Song and Dance of the Soviet Army named after A. V. Alexandrov", so it was no longer called the "Red Army Choir" in brief, but known as "Alexandrov Ensemble". In 1978 the ensemble was renamed the Twice Red-bannered and Red-starred Academic Ensemble of Song and Dance of the Soviet Army named after A. V. Alexandrov. After the dissolution of the Soviet Union, the ensemble received its present name in 1998.

Composition

Soloists

Main article: Alexandrov Ensemble soloists

Most notable soloists:

• Evgeny Belyaev
• Victor Ivanovich Nikitin
• Leonid Kharitonov
• Mark Reizen
• Georgi Pavlovich Vinogradov

Chorus

Current members of the choir are listed here. The choir consists mainly of vocal sections of tenor, baritone, and bass. In some of the pieces they perform, these sections are divided into as many as eight different vocal lines. From the early 1950s until at least 1965 a typical full division (which varied from song to song) was as follows: (1) countertenors; (2) first tenors; (3) second tenors; (4) baritones; (5) first bass; (6) second bass; (7) basso profundos.

Orchestra

The orchestra, in what became a typical composition for later generations of military ensembles in the Soviet Union, has a mixed composition of Russian traditional instruments and western instruments, including the balalaika, the domra, the bayan, the double bass, woodwinds, brass, and percussion instruments. A great guest balalaika player was Boris Stepanovich Feoktistov (Борис Степанович Феоктистов) (1910–1988). In the West his most famous recording is Kamarinskaya (1963). A. Molostov is the trumpet soloist in Dark Eyes in vintage recordings . The bayan-player Victor Gridin is a past member of the orchestra . The current members of the orchestra are listed here.

Dancers

Current members of the ballet are listed here. Among the dances staged by the ensemble are Zaparozhtsi Dance, Cossack's Cavalry Dance, Festive March, Dance of the Cossacks, Soldier's Dance, and Sailor's Dance. Some of these are performed by mixed dancers, while others, such as Cossack's Cavalry Dance, are performed by male dancers only.

The ballet is under the direction of Lev Nikolaevich Kulikov National Artist of Russia, the main ballet master, and maintains the heights of choreographic art with honour. The priority in its repertoire is taken by the military compositions: Matroskaya barynya, Kazachiya cavalry plyaska, Festive march, Invitation to dance and others. The ballet performs a lot of Russian folk dances. The classical repertoire contains Poloveckie plyasky from the opera Prince Igor written by Alexander Borodin. This is from our dance classics, but we always update the dance repertoire. (Leonid Ivanovich Malev, current Director of the Ensemble, interviewed by Russia Beyond the Headlines 1 Dec 2008)

Current line-up

The artistic director was Valery Khalilov but he, and 63 other members of the Ensemble, were killed in an aircraft crash on 25 December 2016. The chief choreographer is People's Artist of Russia L. Kulikov; the chief administrator is Honoured Artist of Russia VG Kadin, the choreographer and coach is the Honoured Artist of Russia V. Ermolin; head dresser is Honoured Worker of Culture A. Kormilitsyn; soloists are VI Shtefutsa and EM Labkovsky; with SV Ivanov, PD Bogachev, VP Maystruk, AA Gvozdetsky, BM Mizyuk: all Honoured Artist of Russia.^[6]

In the choir are YA Lysenko, Y. Shtrunov, IM Pirogov, IS Sobolev, IF Volkov, OV Filimonov, AN Savitsky, VA Nagorny, VP Kokarev, AA Hristachev, JN Deynekin, VM Bolonenko, VN Antonov, AN Stritenko, AA Toschev: all Honoured Artist of Russia; and VS Buzlov, SP Lapik, VF Orthodox, GU Razgasimov, V. Chekin, MD Mochalina.

In the orchestra are AA Mogulkin, Y. Savkin, MG Chervov, PD Shchennikov, NI Diakov, AI Egorov, VM Predelin: all Honoured Artist of Russia. Vocal coaches are People's Artist of Russia, laureate of competitions, MI Glinka and PI Tchaikovsky, Professor KP Lisovsky. The Principal Concertmaster is Honoured Artist of Russia V. Brodsky.

In the ballet are GD Pavlyuchenko, IV Konygina, P.U. Khmelnitski: all Honoured Artist of Russia.

Composers and directors

Directors of the ensemble and the orchestra and assistant conductors

• 1928-1946 - MGEN Alexander Vasilyevich Alexandrov, People's Artist of the Soviet Union, founding artistic director and conductor of the Ensemble, awarded the Stalin Prize, composed the State Anthem of the Soviet Union and various other songs for the ensemble
• 1946-1987 - MGEN Boris Alexandrovich Alexandrov, Hero of Socialist Labor, People's Artist of the Soviet Union, awarded both the Lenin Prize and the Stalin Prize, son of the founder, composer and led the ensemble on a number of national and international engagements
• 1987-1992 - Prof. COL Anatoly Maltsev, People's Artist of Russia, led the Ensemble through the dissolution of the Soviet Union and her armed forces, served as assistant conductor until 1987
• 1992-1993 - COL Igor Germanovich Agafonnikov (until 1992 conductor and artistic director for the orchestra, also served as deputy and relief conductor)
• 1993-2002 - COL Dmitry Vasilyevich Somov
• 1994-2002 - COL Victor A. Fedorov, formerly served as choir master and relief conductor
• 2003-2016 - COL Leonid Malev, awarded as Honoured Artist and Honoured Cultural Worker, responsible for the choir's renewed international tours including a memorable concert at the Vatican in 2004
• 2008-2012 - Prof. COL Igor Raevskiy, People's Artist of Russia, Honoured Artist of Belarus, awarded the State Prize of Czechoslovakia
• 2012-2016, 2017-present - COL Gennady Ksenafontovich Sachenyuk, Honoured Cultural Worker of Russia, acting artistic director and overall conductor
• 2016 (May-Dec.) - Prof. LTGEN Valery Khalilov, People's Artist of Russia, highest ranking general officer ever to serve as the overall artistic director

Composers and assistant directors

• Konstantyn Dankevych (1905–1984): a Ukrainian who was director of Songs and Dance of the Red Army Choir in Tbilisi, and wrote Poem of Ukraine.
• Lev Knipper (1898–1974) who composed Polyushko Pole, and Viktor Gusev (1909–1944) who wrote the lyrics.
• Pavlo Virsky who was artistic director of the Alexandrov Ensemble dancers from 1942, for many years.
• Samuel Pokrass (1897–1939) who wrote White Army, Black Baron or Red Army is Strongest; lyrics by P. Grigoriev.

The repertoire

In 2006 and 2007, in Moscow and in Vladikavkaz, Grozny, the ensemble performed a New Year fairy tale show for children, Ivan the Good, Ivan the Brave, about a soldier helping to save New Year's Day.

In 2008, the 80th anniversary of the ensemble, director Leonid Malev said:

Of course everything depends on the repertoire which is quite large – more than two thousand works. Depending on the concert we choose a special repertoire. We have a rule that we try not to break. In any country we sing 2–3 songs in the native language of the people who live there. As a rule it helps to find a rapport with, and the appreciation of, the audience. And for us it is some kind of musical gift, to honour the host country and its people. For instance in Canada when we sang the National Anthem of Russia people stood up to show respect to our country, and when we finished we sang their country's anthem Oh, Canada!.
A million people in our country and abroad like songs like Kalinka, Katyusha, Smuglyanka and the other songs of the military years as well as The Day of the Victory, Dark Eyes, Vecherny zvon and Podmoskovnye vechera. All these songs are known because of the Alexandrov folk song and dance company and people want to hear these songs at every concert. They are not just part of our history; they are great masterpieces. It is interesting that Svyaschennaya Voyna, written by Alexander Vasilyevich Alexandrov in 1941, helped Soviet soldiers to protect their Motherland and is still popular in Slovakia, Poland and Bulgaria. Those audiences listen to it standing up and it touches their hearts and souls.
For our concerts we search for new musical works because you can't live only in the past. But to tell you the truth it’s impossible to imagine our concerts without works of Russian and West-European classical music (Beethoven, Bach, Tchaikovsky and Mussorgsky), they are part of human history. But our repertoire contains not only songs of the military years and folk songs, arias from operas, songs of the world and spiritual music but also new songs such as Iliya Reznik's To Serve Russia, and those written by Eduard Hanka, Kim Breytburg, Sergey Sashin and other modern composers and poets.
Director Leonid Ivanovich Malev, 1 December 2008

The Children's Choir School

The Alexandrov children's choir school was founded in 2007. Malev said about the school:

"It's not a secret that the more you work with children, the greater their prospect of achievement in society. We approached the Ministry of Defence with an appeal to organize this choir and it was approved. October 1st 2007 was the opening day of the Aleksandrovcy creative school for musical and aesthetic education for children. This became an important event in the year of the Ensemble's 80th anniversary.
The first night of the boys' Aleksandrovcy Choir on December 26th at the Cadets' Gold Epaulette Ball went like clockwork. After that night they participated in many concerts. The latest was on Poklonnaya Hill in memory of the Beslan tragedy, as part of City Day on the 3rd and 7th of September. It should be mentioned that we have an excellent director of the school Nina Anatolievna Putilina who puts all her soul into raising this worthy generation. We do a lot in order to raise the new generation with regard to physical, spiritual and moral health. Here children begin at the beginning of vocal music and literary speaking; they absorb the best practice of their teachers. The children's choir has become an integral part of the Ensemble's life and takes part in its important concerts. We plan to have tours together."

Films

The ensemble under the direction of Boris Alexandrov can be heard singing It's a Long Way to Tipperary in the 1981 film Das Boot. Several films have been made of the ensemble's performances: see Alexandrov Ensemble discography.

Awards for the ensemble

• The honorary title of Academy (1979)
• Two awards of the Order of the Red Banner
• From the Dutch company N.O.K, for record sales: Gold disk (1974)
• Czechoslovak Order of the Red Star (1965)
• Order of the Mongolian Combat Merit (1964)
• From the French company Chant Du Monde, for record sales: Gold disk (1964)
• From the French Academy of Records, for the best record: Gold Disk (1961)
• For global recognition of high art: The Global Team Award